BIBLIOGRAPHY
Lai, Thanhha. 2011. Inside Out & Back Again. NewYork:
Harper Collins. ISBN 978-0-06-196278-3
PLOT SUMMARY
Lai tells
the story of young Ha, as she escapes South Vietnam, when war hits close to
home. Her father had been missing for nine years, after being captured while on
a Navy mission. Before the fall of Saigon, her mother decides they should leave
home. Ha and her brother don’t want to leave, but finally agree when her mother
refuses to split up the family. While fleeing their homeland by boat, they are
rescued by an American ship and finally escape. They are taken to Guam, and they
must decide where to go next. Without a lot of options, they choose America. After
finally getting a sponsor for their family, they end up in Alabama. Ha tries to
fit in by learning English and trying new things, but finds that not everyone
is willing to accept her. As she tries to find a new normal for her life, she
finally learns the fate of her father. Her life will never be the same.
CRITICAL
ANALYSIS
Lai uses
free verse as she relates Ha’s experiences through this collection of narrative
poems. Her prose is written in stanzas which help the reader follow the changes
in thoughts and conflicts throughout the text. The poems are organized into
sections that closely follow the major changes in Ha’s life. The rhythm in some
of the lines matches with the intensity of the text, as seen when she is being
chased by the Pink Boy. Lai utilizes short line length to resemble Ha’s hurried
escape. Pancake Face’s short lines resemble
the rhythmic sniffling when someone is crying and trying to talk. Ha says, “A
pancake/is/very/very/flat.” The abruptness of each lines shows Ha’s emotional
state as she emphasizes each word.
You can
see the transformation of Ha as the tone changes throughout the prose. Lai
includes sensory language throughout the book. For example, “I chew each grain
s-l-o-w-l-y.” Her use of similes and metaphors are humorous as she compares herself
to a baby hippopotamus. She describes, “a seed like a fish eye/slippery shiny
black. Her descriptive writing creates a picture in the reader’s mind.” Her
verse titled Birthday Wishes uses repetition, as each stanzas focuses on things
Ha wishes for her birthday; each stanza starts with “Wish.” Lai uses different
font to represent Ha’s thoughts and dialogue between the characters. Lai also
uses bold type and exclamation marks to emphasize Ha’s feelings as she declares
her hate for everyone.
While the
text is mostly serious, there is a strength of character that the reader can
see when against her mother’s warning, Ha steps foot on the floor the morning
of the new year, instead of waiting for the oldest male in the family to touch
the floor first. Later Ha says, “I hate being told I can’t do something because
I’m a girl!” From the prose, the reader can tell that Ha doesn’t want to follow
the traditional roles of women in her culture.
With One Mat Each, Lai creates vivid imagery as she writes, “The
pile of bodies that keep crawling on/Like raging ants/From a disrupted nest.” She
describes their “cowboy” sponsor as looking like an American should. She
details him as being, “Tall and pig-bellied/black cowboy hat/tan cowboy
boots/cigar smoking/teeth shining/red in face/golden in hair.” She uses
metaphors to describe her feelings. In Sadder
Laugh, Ha notes that she wakes up with “dragonflies zipping through her gut”
as she worries about starting her new school. One kid begins picking on her and
they call her racial names such as “Ching Chong.” Everyone assumes she is
uneducated, not understanding that she just can’t express herself due to the
language barrier. Ha says, “So this is/What dumb/Feels like.” Lai’s word choice
adds a personal element that evokes feelings of sadness in the reader. She
incorporates her native language within her writing, which reminds the reader
of her struggle to find herself in her new home.
This
collection would be better suited for older readers due to some of the content
and the length.
REVIEW EXCERPT(S)
National Book Award Winner
Newbery Honor Book
-A starred review in Horn Book Guide: “Recounting events that
resemble her own family's 1975 flight from Saigon, Lai pens a novel in vividly
imagined verse.”
-Jennifer Rothschild
CONNECTIONS
*Students
will read other novels in verse. Students can then take a short fiction text
and turn it into a poem.
*Other novels
in verse:
Bodger,
Holly. 5 to 1. ISBN 9780385391542
Howe,
James. Addie on the Inside. ISBN 9781442423817
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